Wind onshore 11.8 GW dominates the right third of the scene as dozens of tall three-blade turbines with white tubular towers stretching across rolling farmland, rotors spinning in moderate wind; brown coal 7.7 GW occupies the left quarter as a massive lignite power station with four hyperbolic cooling towers emitting thick white steam plumes, glowing from orange sodium lights at their base; natural gas 6.1 GW appears left of centre as a compact CCGT facility with tall slender exhaust stacks and illuminated turbine halls; hard coal 4.1 GW sits beside it as a darker, blockier power station with conveyor belts and a single large chimney; biomass 4.5 GW is rendered as a mid-sized industrial plant with a timber-clad facade and short stacks near centre-right; hydro 1.4 GW appears as a small concrete dam structure with lit spillway at the far right edge; wind offshore 0.6 GW is barely visible as a few distant turbines on the far horizon. The sky is completely dark — deep navy-black, no twilight, no sky glow, heavy 96% overcast obscuring all stars. The atmosphere is oppressive and heavy, reflecting the 171.3 EUR/MWh price. All facilities are lit by sodium-orange and white industrial lighting, casting pools of warm light on wet spring grass and bare soil. Temperature is cool at 9.4°C; vegetation is fresh spring green but only visible where light catches it. No solar panels anywhere. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich impasto brushwork, dramatic chiaroscuro between artificial lights and surrounding darkness, atmospheric depth with mist curling around cooling towers, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.