Brown coal 7.4 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white steam plumes lit from below by sodium-orange industrial floodlights; natural gas 6.1 GW occupies the centre-left as a compact CCGT facility with twin exhaust stacks venting thin grey plumes, steel-clad turbine halls glowing with interior light; hard coal 4.1 GW appears centre-right as a dark angular power station with conveyor belts and a tall single chimney trailing smoke; biomass 4.4 GW is rendered as a modest wood-fired plant with a rounded silo and shorter stack near the centre; wind onshore 2.3 GW and wind offshore 2.1 GW appear as a sparse line of three-blade turbines on the far right horizon, their rotors nearly motionless in the calm air, red aviation warning lights blinking; hydro 1.4 GW is suggested by a small dam structure at the far right edge with a faint white water spill. The sky is completely black-to-deep-navy, heavily overcast at 100% cloud cover — no stars, no moon, no twilight glow — only the sodium-yellow and white artificial lights of the industrial facilities illuminate the scene. The air is cool at 7.5°C; spring vegetation is lush but dark, barely visible. A sense of heavy, oppressive atmosphere pervades the sky, reflecting the high 136.3 EUR/MWh electricity price. The landscape is a broad, flat German river valley. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, deep chiaroscuro, atmospheric sfumato in the steam plumes — yet every engineering detail is meticulous: lattice turbine towers, aluminium nacelles, concrete cooling tower ribbing, riveted steel stacks. No text, no labels.