Brown coal 7.4 GW dominates the left quarter as a massive lignite power station with four hyperbolic cooling towers emitting thick white steam plumes into the grey sky; natural gas 6.1 GW occupies the centre-left as two compact CCGT plants with tall single exhaust stacks venting thin heat haze; hard coal 4.0 GW appears centre-right as a traditional coal plant with rectangular cooling towers and a conveyor belt feeding dark fuel; biomass 4.1 GW sits nearby as a cluster of wood-chip-fired CHP plants with modest chimneys and stacked timber yards; wind onshore 3.2 GW appears on the right as a modest row of three-blade turbines on gentle hills, rotors barely turning in the still air; wind offshore 3.0 GW is suggested on the far-right horizon as distant turbines standing motionless above a grey sea line; solar 2.6 GW is shown as a field of aluminium-framed crystalline silicon panels in the foreground catching no light, dull and grey under total overcast; hydro 1.3 GW appears as a small dam and powerhouse nestled in a valley at far right. The sky is deep blue-grey pre-dawn light at 06:00 in May — no direct sun visible, the first faint paleness barely distinguishable along the eastern horizon, most of the scene lit by sodium-orange industrial lighting and the glow of plant interiors. Temperature near 5°C, early spring vegetation still subdued — bare branches, pale-green buds on trees, damp grass with frost patches. The overcast is total, 98% cloud forming a heavy, low, oppressive ceiling that presses down on the landscape, reinforcing the high electricity price atmosphere. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial sublime — with rich dark palette, visible confident brushwork, atmospheric depth through layered mist and steam, meticulous engineering accuracy on every turbine nacelle, cooling tower contour, and panel frame. No text, no labels.