Solar 24.4 GW dominates the foreground and middle ground as vast fields of aluminium-framed crystalline silicon PV panels stretching across flat green spring farmland, their surfaces reflecting a uniform white-grey overcast sky — no direct sunlight, no shadows, only diffuse ambient light consistent with 97% cloud cover. Brown coal 7.3 GW occupies the left background as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes merging into the low cloud ceiling, alongside conveyor belts feeding lignite into hulking boiler houses. Natural gas 5.7 GW appears centre-left as a pair of modern CCGT combined-cycle plants with tall slender exhaust stacks emitting thin heat shimmer. Hard coal 4.0 GW sits centre-right as an older power station with square chimney stacks and coal bunkers. Biomass 4.4 GW is rendered as a mid-ground wood-chip-fed plant with a conical fuel silo and modest steam output. Wind onshore 3.1 GW appears as a sparse row of three-blade turbines on a low ridge at right, their blades nearly still in the calm air. Wind offshore 3.2 GW is suggested by distant turbines on a hazy flat horizon line at far right. Hydro 1.4 GW is a small run-of-river weir and powerhouse beside a river in the near foreground. The sky is a heavy, oppressive blanket of unbroken stratiform cloud in tones of pewter and dull silver, pressing low — reflecting the elevated electricity price — with no blue sky visible. The lighting is flat mid-morning daylight at 09:00, fully diffuse, no sun disc, no sharp shadows. Spring vegetation: fresh green grass, young leaves on scattered birch and linden trees, cool 7.9 °C atmosphere with a slight dampness. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painting — Caspar David Friedrich meets industrial realism — rich layered colour, visible confident brushwork, atmospheric depth and haze, meticulous engineering accuracy on every turbine nacelle, PV cell grid, cooling tower curvature, and exhaust stack detail. No text, no labels, no people in the foreground.