Brown coal 7.2 GW dominates the left quarter as a massive lignite power complex with four hyperbolic cooling towers trailing thick white steam plumes into a heavy overcast sky; wind onshore 6.7 GW spans the centre-left as a long ridge of three-blade turbines on lattice towers, blades turning slowly in moderate breeze; natural gas 5.6 GW appears centre-right as two compact CCGT plants with tall single exhaust stacks venting thin heat shimmer; solar 4.7 GW occupies a mid-ground field of aluminium-framed crystalline silicon panels catching the last pale indirect light; wind offshore 4.2 GW is visible as distant turbines on the far horizon rising from a grey sea; biomass 4.3 GW stands as a cluster of wood-chip-fed industrial boiler buildings with modest chimneys and biomass fuel piles; hard coal 3.9 GW appears as a traditional coal plant with conveyor belts, coal bunkers, and a pair of tall brick stacks trailing grey smoke; hydro 1.3 GW is a small concrete dam with water spilling in the far background valley. The lighting is late dusk at 19:00 in May — a narrow band of deep amber-orange glow hugs the western horizon beneath a vast 91% overcast ceiling of grey-violet clouds, the upper sky already darkening to slate blue, no direct sunlight visible. The atmosphere feels heavy and oppressive, reflecting 143 EUR/MWh pricing tension. Spring vegetation — fresh green deciduous trees, wildflower meadows — frames the industrial foreground. The entire scene is rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich layered colour, visible impasto brushwork, atmospheric depth and chiaroscuro — but with meticulous engineering accuracy on every turbine nacelle, every cooling tower cross-section, every PV cell grid line. No text, no labels.