Brown coal 7.3 GW dominates the left quarter of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the dark sky, their concrete surfaces lit by harsh sodium-orange industrial floodlights. Wind onshore 6.5 GW occupies the centre-right as a long row of tall three-blade turbines on lattice and tubular towers stretching across a rolling green landscape, rotors turning in moderate wind, their aviation warning lights blinking red against the night. Natural gas 6.2 GW appears centre-left as a compact CCGT plant with slender exhaust stacks emitting thin heat shimmer, lit from within by white facility lighting. Hard coal 4.3 GW sits adjacent to the brown coal as a smaller power station with a single large smokestack and conveyor belt infrastructure, bathed in amber floodlight. Wind offshore 4.2 GW is visible in the far background as a line of turbines standing in a dark sea near the horizon, their red nacelle lights dotting the distance. Biomass 4.4 GW appears as a modest wood-chip-fed generating station with a rounded silo and low exhaust, warm light glowing from its control building. Hydro 1.3 GW is a small dam and powerhouse nestled in a forested valley at the far right, water glinting faintly under facility lights. Solar 0.9 GW is barely present — a few dark, inactive aluminium-framed crystalline PV panels on a nearby rooftop, unlit and dormant. The sky is fully dark — deep navy to black, no twilight glow, no sunset remnant — it is 20:00 in May. Stars are partly obscured by 55% cloud cover rendered as broken mid-level stratus drifting across the firmament. The atmosphere feels heavy and oppressive, reflecting the high electricity price: a faint industrial haze hangs over the thermal plants, diffusing the artificial lights into amber halos. Spring vegetation is lush — fresh green grass and leafy deciduous trees in mid-May foliage, visible where floodlights catch them. Temperature is mild at 12°C, no frost. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich crossed with industrial realism — rich deep colour palette of navy, amber, and grey-white, visible confident brushwork, dramatic chiaroscuro between the glowing industrial facilities and the dark countryside, atmospheric depth with haze layers receding to the offshore wind farm horizon. Meticulous engineering detail on every technology. No text, no labels.