Brown coal 7.3 GW dominates the left quarter of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the night sky, lit from below by orange sodium lamps along access roads; natural gas 5.8 GW occupies the left-centre as a pair of compact CCGT power blocks with tall single exhaust stacks emitting thin vapour, illuminated by harsh industrial floodlights; hard coal 4.0 GW appears centre-right as a large power station with rectangular boiler houses, conveyor belts, and a single wide chimney, glowing warmly from internal furnace light; wind onshore 8.1 GW fills the right third as dozens of tall three-blade turbines on lattice and tubular towers stretching across rolling dark hills, their red aviation warning lights blinking; wind offshore 5.0 GW is suggested in the far right background as a line of turbines along a distant dark coastline with tiny white lights; biomass 4.2 GW appears as a mid-sized industrial facility with a wood-chip storage dome and a single modest stack near the coal plant; hydro 1.3 GW is a small concrete dam structure in the lower right foreground with water faintly reflecting industrial light. The sky is completely dark — deep navy to black, no twilight, no glow on the horizon — with a few stars visible through 38% cloud cover that drifts in patches. The air temperature is a chilly 6°C in mid-May, so early spring vegetation is sparse and muted green-brown, with bare branches on scattered trees. A moderate breeze animates the turbine blades and stirs the steam plumes. The atmosphere is heavy and oppressive, reflecting the high electricity price: a thick industrial haze hangs low, the sodium and mercury-vapour lights cast harsh pools of orange and blue-white onto wet pavement and metal structures. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich saturated darks, visible confident brushwork, atmospheric depth and chiaroscuro — yet every technology is rendered with meticulous engineering accuracy: turbine nacelles and three-blade rotors, aluminium-framed details, lignite hyperbolic cooling tower curvature, CCGT exhaust stack proportions. The painting evokes a brooding nocturnal industrial sublime. No text, no labels.