Solar 35.3 GW dominates the scene as a vast foreground plain of crystalline silicon PV panels stretching across more than half the canvas, their aluminium frames catching diffuse midday light under a bright but fully overcast white-grey sky. Wind onshore 13.3 GW fills the middle distance as dozens of tall three-blade turbines on lattice and tubular towers, rotors turning gently in moderate wind, arrayed across rolling green spring farmland. Wind offshore 3.9 GW appears at the far right horizon as a cluster of offshore turbines rising from a silver strip of sea. Biomass 4.0 GW is rendered as a medium-sized wood-chip power plant with a tall stack and a modest steam plume, positioned centre-left. Brown coal 3.1 GW stands in the left background as two hyperbolic cooling towers with thin white steam columns rising into the overcast. Natural gas 1.9 GW appears as a compact CCGT plant with a single sleek exhaust stack, nestled between the cooling towers and the biomass facility. Hydro 1.4 GW is suggested by a small dam and spillway visible in a valley at the far left. Hard coal 0.5 GW is a single small smokestack barely visible behind the brown coal towers. The season is mid-May: fresh green grass, blossoming hedgerows, scattered wildflowers, deciduous trees in full new leaf. The sky is entirely overcast but luminous and bright — high diffuse daylight at 14:00, no direct sun visible, no shadows, a pearly even illumination. The atmosphere is calm and expansive, reflecting the negative electricity price — open, unhurried, almost serene. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich layered colour, visible confident brushwork, atmospheric aerial perspective fading into hazy distance — yet every turbine nacelle, every PV cell grid line, every cooling tower's hyperbolic curve is rendered with meticulous engineering accuracy. No text, no labels.