Brown coal 6.9 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into the black sky; natural gas 5.3 GW occupies the centre-left as three compact CCGT power blocks with slender exhaust stacks emitting thin vapour, lit by sodium-orange floodlights; hard coal 3.2 GW appears centre-right as a single large coal-fired station with a tall square chimney and conveyor belt silhouettes; biomass 4.3 GW sits to the right as a mid-sized industrial plant with a cylindrical silo and a modest stack glowing warmly; wind onshore 7.0 GW spans the right third as a line of tall three-blade turbines on lattice towers, rotors turning at moderate speed; wind offshore 1.6 GW is suggested at the far right horizon as faint red aviation lights on distant turbines above a dark sea; hydro 1.3 GW appears as a small dam structure with falling water in the lower right corner, illuminated by a single floodlight. The sky is completely black, deep-navy, no twilight, no moon, stars barely visible through a nearly clear sky with only 3% cloud cover. The air is cool — early spring foliage on scattered birch and beech trees just beginning to leaf out, depicted with precision. The atmosphere feels heavy and oppressive, reflecting the high electricity price: a faint industrial haze hangs low, tinted amber by sodium streetlights lining a road in the foreground. All facilities glow with artificial light — windows, security lamps, red warning beacons on stacks and turbine nacelles. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich, dark palette of Prussian blue, burnt umber, and cadmium orange, visible confident brushwork, atmospheric depth and chiaroscuro, meticulous engineering accuracy on every turbine nacelle, cooling tower profile, and exhaust stack. No text, no labels.