Brown coal 6.8 GW dominates the left quarter of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the black sky, lit from below by sodium-orange industrial lighting; wind onshore 7.4 GW spans the right third as a long ridge of three-blade turbines on lattice towers, their red aviation warning lights blinking against the dark, rotors visibly turning in moderate wind; natural gas 5.3 GW occupies the centre-left as a pair of compact CCGT power plants with tall single exhaust stacks emitting thin heat shimmer, their facilities illuminated by harsh white floodlights; hard coal 3.1 GW appears as a smaller coal plant with conveyor belts and a single square cooling tower behind the gas units; biomass 4.1 GW is rendered as a wood-chip-fed CHP facility centre-right with a modest chimney and warm amber-lit loading area with timber piles; hydro 1.3 GW appears as a small dam structure in the far right background with faint spillway lights reflected in water; wind offshore 1.5 GW is suggested by tiny red lights on the distant dark horizon line. The time is 1:00 AM — the sky is completely black with a scattering of stars visible through 16% cloud cover, a thin crescent or no moon, absolutely no twilight or sky glow on the horizon. The atmosphere feels heavy and oppressive, reflecting the high electricity price — a faint industrial haze hangs low, trapping the orange and white artificial lights into diffuse halos. The temperature is a cool 6.3°C in mid-May, so early spring foliage on scattered birch and linden trees in the foreground is fresh green but barely visible in the darkness. A modest breeze animates grass in the foreground. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark palette of deep navy, burnt umber, and sodium orange — visible impasto brushwork, atmospheric depth with layers of industrial haze receding into blackness. Each technology rendered with meticulous engineering accuracy: turbine nacelles and three-blade rotors, aluminium-framed structures, lignite hyperbolic cooling towers with correct proportions, CCGT exhaust stacks with heat distortion. The scene evokes Caspar David Friedrich's sense of sublime scale but applied to the nocturnal industrial energy landscape. No text, no labels.