Wind onshore 7.7 GW dominates the right third of the scene as dozens of three-blade turbines on tall lattice towers stretching across dark rolling hills; brown coal 6.3 GW occupies the left quarter as massive hyperbolic cooling towers emitting thick white steam plumes lit from below by sodium lights; natural gas 4.8 GW fills the centre-left as compact CCGT plants with tall single exhaust stacks and glowing control-room windows; biomass 4.1 GW appears as mid-sized industrial boiler buildings with short chimneys and warm amber-lit interiors just right of centre; hard coal 3.1 GW sits behind the brown coal as a smaller cluster of rectangular boiler houses with conveyor belts and red aviation warning lights; wind offshore 1.2 GW is suggested by distant turbines on the far-right horizon above a faintly reflective strip of sea; hydro 1.2 GW appears as a small dam structure with cascading water barely visible at far left, illuminated by a single floodlight. The sky is completely dark, deep navy-black, no twilight, no dawn glow, heavy 85% cloud cover obscuring all stars. Temperature is 4.5°C in mid-May: early spring vegetation is present but subdued—bare-branched trees with only sparse new leaves, damp meadow grass glistening under artificial light. A moderate breeze of 12.5 km/h animates the turbine blades and bends the steam plumes sideways. The atmosphere is heavy and oppressive, reflecting the high electricity price—thick low clouds press down on the industrial landscape, sodium streetlights cast orange pools along access roads, and the overall mood is brooding and weighty. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—rich impasto brushwork, deep atmospheric perspective, dramatic chiaroscuro between artificial light sources and surrounding darkness—yet with meticulous engineering accuracy on every turbine nacelle, cooling tower profile, and exhaust stack. No text, no labels.