Brown coal 6.3 GW dominates the left quarter as three massive hyperbolic cooling towers emitting thick white steam plumes into the dark sky, with glowing conveyor belts feeding lignite into boiler houses; natural gas 4.8 GW occupies the centre-left as two compact CCGT plants with tall slender exhaust stacks and warm orange sodium lighting on their steel structures; hard coal 3.1 GW appears behind them as a single large power station with a rectangular chimney and coal stockpiles dimly visible; wind onshore 7.8 GW spans the right half of the composition as numerous three-blade turbines on lattice and tubular towers stretching across rolling hills, their red aviation warning lights blinking in the darkness; wind offshore 1.5 GW is suggested by a distant cluster of turbines on the far-right horizon above a faintly visible sea; biomass 4.1 GW appears as several mid-sized industrial facilities with cylindrical silos and modest smokestacks, warm interior light glowing from windows, positioned in the centre-right middle ground; hydro 1.2 GW is represented by a small dam structure with rushing water visible in a valley in the far middle distance. Solar 0.3 GW is negligible — no solar panels visible. Time is 05:00 pre-dawn in May: the sky is deep blue-grey with the faintest pale band of light on the eastern horizon, no direct sunlight, stars still faintly visible overhead through 85% cloud cover of heavy low stratus clouds creating a dense oppressive canopy reflecting the industrial glow below. Temperature is near 5°C — early spring vegetation, bare-branched trees with first green leaf buds, frost-touched grass. The atmosphere feels heavy and costly, an oppressive industrial weight hanging in the air. Sodium streetlights cast amber pools along access roads between facilities. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich, dark palette of Prussian blue, raw umber, and warm amber, visible confident brushwork, atmospheric depth with industrial haze, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack, evoking Caspar David Friedrich's sublime darkness merged with industrial grandeur. No text, no labels.