Brown coal 6.4 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the pre-dawn sky; onshore wind 7.8 GW spans the centre-right as dozens of tall three-blade turbines on lattice and tubular towers spread across gently rolling farmland, blades turning in moderate wind; natural gas 4.9 GW appears centre-left as a compact CCGT plant with twin slender exhaust stacks emitting thin heat shimmer; hard coal 2.9 GW sits behind the lignite plant as a smaller set of rectangular boiler houses with a single tall chimney trailing faint smoke; biomass 4.2 GW is rendered as a mid-sized wood-fired plant with a domed silo and low stack near the centre; offshore wind 1.9 GW is suggested by a distant row of turbines on the far-right horizon above a faint strip of grey sea; solar 3.6 GW appears as a modest field of aluminium-framed crystalline silicon panels in the right foreground, catching no direct sunlight yet, surfaces dull blue-grey; hydro 1.2 GW is a small concrete run-of-river weir and powerhouse nestled along a stream in the lower foreground. Time of day is 06:00 in mid-May: the sky is deep blue-grey transitioning to a thin pale band of cool lavender-pink light along the eastern horizon—no direct sun visible, no golden light, only the earliest hint of pre-dawn luminance. The atmosphere is heavy and oppressive despite the clear sky, with a faint haze and brooding stillness reflecting high electricity prices. Temperature is near 5°C: fresh spring vegetation is bright green but dew-frosted, bare patches of dark soil visible, breath-mist implied. Style: highly detailed oil painting in the tradition of Caspar David Friedrich and Carl Blechen—rich layered colour, visible confident brushwork, atmospheric depth, dramatic Romantic mood—but with meticulous engineering accuracy on every turbine nacelle, cooling tower flute, PV cell pattern, and exhaust stack. No text, no labels.