Solar 24.9 GW dominates the scene as vast fields of aluminium-framed crystalline silicon PV panels stretching across the entire right half and centre of the composition, angled toward an overcast but luminous sky; wind onshore 6.0 GW appears as a line of tall three-blade turbines with white lattice towers on gentle green hills in the centre-left, blades turning slowly in light breeze; biomass 3.9 GW is rendered as a cluster of modest timber-clad power plants with small chimneys emitting thin white exhaust, nestled among trees at centre-left; brown coal 3.3 GW occupies the far left as two large hyperbolic concrete cooling towers with heavy white steam plumes rising against the grey sky; natural gas 1.9 GW appears as a compact CCGT plant with a single tall exhaust stack and modest heat shimmer, positioned between the coal towers and the biomass facility; wind offshore 1.3 GW is glimpsed in the far background as a row of turbines standing in a hazy grey sea on the distant horizon; hydro 1.2 GW is a small dam with cascading water in the lower left foreground; hard coal 0.5 GW is a single dark industrial stack barely visible behind the lignite towers. Time is 4 PM on a spring afternoon: full daylight but entirely overcast — a bright, diffuse, silver-white sky with no direct sun, no blue patches, flat even illumination casting soft shadows. Temperature is mild at 16.5°C; vegetation is lush spring green, with beech and birch trees in full fresh leaf, wildflowers dotting meadow edges. The atmosphere is slightly heavy and hazy, reflecting a moderate electricity price. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich saturated greens and greys, visible impasto brushwork, atmospheric depth with misty horizons — yet every turbine nacelle, every PV cell grid line, every cooling tower ribbing is rendered with meticulous engineering accuracy. No text, no labels.