Brown coal 8.5 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the black sky, their concrete surfaces lit by sodium-orange industrial floodlights; wind onshore 7.1 GW occupies the right third as a long receding line of three-blade turbines on lattice towers across rolling dark hills, red aviation warning lights blinking on each nacelle; natural gas 6.4 GW fills the centre-left as two compact CCGT plant blocks with tall single exhaust stacks venting thin heat shimmer, illuminated by harsh white facility lighting; hard coal 4.1 GW appears centre-right as a coal-fired station with a single large smokestack and conveyor infrastructure, lit from below; biomass 4.4 GW is rendered as a medium-sized industrial plant with a wood-chip storage dome and modest chimney near the centre; hydro 1.2 GW appears as a small concrete dam structure in the middle distance with spillway water catching reflected light; wind offshore 1.1 GW is suggested at the far right horizon as tiny lit turbine silhouettes on a dark sea line. The sky is completely dark, deep navy-black, heavy 85% cloud cover obscuring all stars, no moon visible, no twilight glow whatsoever — pure midnight darkness. The atmosphere feels heavy and oppressive, reflecting the high electricity price. Spring vegetation — fresh green grass and leafy trees — is barely visible in the industrial light spill, temperature around 12°C suggesting light mist clinging to low ground. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich, moody palette of deep blacks, warm oranges, cool steel blues — with visible impasto brushwork, atmospheric depth and haze, meticulous engineering detail on every turbine nacelle, cooling tower, and smokestack, evoking Caspar David Friedrich's sublime darkness merged with industrial precision. No text, no labels.