Brown coal 8.5 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into the black sky, their concrete forms lit amber by sodium floodlights at their base; onshore wind 7.7 GW fills the right third as a long row of tall three-blade turbines on lattice towers, their aviation warning lights blinking red in the darkness, blades turning at moderate speed; natural gas 6.1 GW occupies the centre-left as a compact CCGT power station with twin exhaust stacks emitting thin heat shimmer, lit by harsh industrial halogen lights; hard coal 4.1 GW appears centre-right as a dark blocky power station with a single large smokestack and conveyor belt silhouette; biomass 4.2 GW sits in the mid-ground as a smaller industrial plant with a cylindrical silo and modest chimney, warmly lit from within; hydro 1.4 GW appears as a low concrete dam in the far background, water glinting faintly under a small floodlight; offshore wind 0.9 GW is suggested as distant tiny red lights on the far horizon line. The sky is completely dark, deep navy-black with no twilight, no moon visible, heavy 77% cloud cover obscuring stars — the atmosphere feels oppressive and weighty, reflecting the high electricity price. The landscape is a gentle central German rolling plain with fresh spring grass barely visible in artificial light, temperature around 9°C suggested by a thin ground mist gathering in the hollows between facilities. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich chiaroscuro, visible impasto brushwork in the steam plumes, dramatic atmospheric depth — but with meticulous engineering accuracy: turbine nacelles correctly proportioned, cooling tower hyperboloid geometry precise, CCGT exhaust stacks with correct flue diameters. The overall mood is brooding industrial sublime, a nocturnal Caspar David Friedrich reimagined for the energy age. No text, no labels.