Solar 18.2 GW dominates the centre-right as vast fields of aluminium-framed crystalline silicon PV panels stretching across rolling farmland, their surfaces reflecting only grey diffused light under total overcast; brown coal 8.6 GW occupies the left quarter as a massive lignite power station with four hyperbolic cooling towers trailing thick white steam plumes into the heavy sky; natural gas 4.4 GW appears as two compact CCGT units with tall single exhaust stacks and smaller vapour trails positioned centre-left; hard coal 3.7 GW sits behind the gas plant as a darker, older coal-fired station with rectangular boiler houses and a single large smokestack; wind onshore 4.0 GW appears as a cluster of modern three-blade turbines on lattice and tubular towers on distant hills to the far right, blades turning slowly in moderate wind; wind offshore 0.6 GW is a faint row of turbines barely visible on the far horizon line; biomass 4.1 GW is rendered as a mid-sized wood-chip power plant with a modest stack and timber yard beside it, near the coal complex; hydro 1.3 GW appears as a small run-of-river station with a concrete weir and low powerhouse along a river in the foreground. The sky is entirely overcast with 100% cloud cover, a uniform blanket of grey-white stratus pressing low, with an orange-red glow bleeding along the western horizon as dusk begins at 17:00 in May — the upper sky darkening to slate blue-grey, creating a heavy, oppressive atmosphere reflecting high electricity prices. Spring vegetation: fresh green meadows and beech trees in young leaf, temperature around 13°C suggesting cool dampness. The atmosphere is thick, humid, brooding. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, saturated colour palette with deep ochres, slate greys, and muted greens — visible impasto brushwork, atmospheric aerial perspective with haze around distant cooling towers, meticulous engineering detail on every turbine nacelle, every panel frame, every cooling tower's parabolic curve and concrete texture. The scene reads as a monumental industrial landscape masterwork. No text, no labels.