Solar 24.9 GW dominates the right half and centre of the composition as vast fields of aluminium-framed crystalline silicon PV panels stretching across gentle green rolling hills, their surfaces reflecting a flat white-grey sky — panels clearly visible but without direct sunlight or sharp shadows. Brown coal 6.9 GW occupies the left quarter as a cluster of massive hyperbolic cooling towers with thick white steam plumes drifting eastward, connected to a sprawling lignite power station with conveyor belts and coal bunkers rendered in meticulous industrial detail. Wind onshore 4.8 GW appears as a line of modern three-blade turbines on lattice towers across a mid-ground ridge, blades turning in moderate wind. Wind offshore 1.4 GW is suggested by distant turbines on the far horizon. Biomass 4.0 GW is depicted as a mid-sized wood-chip plant with a small stack and timber yard in the left middle ground. Natural gas 2.6 GW appears as a compact CCGT plant with twin exhaust stacks and a slim heat-recovery tower near the centre-left. Hard coal 2.4 GW is a single large coal station with a tall rectangular chimney releasing a thin grey exhaust plume, positioned behind the biomass facility. Hydro 1.4 GW is shown as a small dam and spillway in a forested valley in the far left background. The sky is 98% overcast — a thick, uniform layer of stratus clouds in shades of pewter and cream, with only the faintest pale disc of the sun barely discernible through the haze, casting no shadows. The light is full diffuse afternoon daylight at 16:00, bright but completely even. Vegetation is lush mid-May green — fresh beech leaves, flowering meadows, rapeseed fields adding touches of yellow. The atmosphere feels heavy and slightly oppressive, conveying the 102.2 EUR/MWh price tension — a subtle amber-grey tint to the clouds, humidity visible as haze between layers of the landscape. High-voltage transmission lines on lattice pylons cross the scene diagonally, symbolising the import flows. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich impasto brushwork visible in the clouds and steam, atmospheric depth achieved through layered aerial perspective, meticulous engineering accuracy in every turbine nacelle, panel frame, and cooling tower curve. No text, no labels.