Brown coal 9.4 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers emitting thick white steam plumes lit from below by orange sodium lamps; wind onshore 7.7 GW spans the centre-right as dozens of three-blade turbines on lattice and tubular towers, red aviation lights blinking on nacelles; natural gas 6.2 GW appears centre-left as two compact CCGT plants with tall single exhaust stacks venting thin heat shimmer; hard coal 4.1 GW sits behind the lignite complex as a smaller set of rectangular boiler houses with conveyor belts and a single square chimney; biomass 4.5 GW is rendered as a mid-ground industrial facility with a domed digester and a wood-chip storage dome glowing warmly from interior lighting; wind offshore 3.6 GW is suggested by distant turbines on the far-right horizon over a dark estuary; hydro 1.4 GW appears as a small illuminated dam structure in the lower-right foreground with water cascading. TIME: 22:00 at night — the sky is completely black with no twilight, no stars visible due to 100% cloud cover, a heavy oppressive overcast ceiling pressing down. All structures are lit only by artificial light: sodium-orange streetlights, floodlights on industrial buildings, red warning beacons. The atmosphere feels heavy and expensive — haze and steam merge into the low cloud base, creating a claustrophobic canopy. Spring vegetation — fresh green deciduous trees and grass — is barely visible in the sodium glow along a country road in the foreground. Moderate wind bends the grass and sets the turbine blades in clear rotation. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark palette of deep navy, amber, burnt sienna, and charcoal grey, with visible impasto brushwork, atmospheric depth through layered steam and haze, and meticulous engineering accuracy on every turbine nacelle, cooling tower contour, and industrial pipe. The scene evokes Caspar David Friedrich's sublime darkness married to the industrial grandeur of Adolph Menzel. No text, no labels.