Brown coal 10.2 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the darkness; wind onshore 8.1 GW and wind offshore 2.6 GW together span the right third as rows of three-blade turbines on lattice towers, blades turning slowly in light wind, some onshore on rolling hills and several offshore turbines visible on a distant dark sea horizon; natural gas 4.8 GW occupies the centre-left as a compact CCGT plant with twin exhaust stacks emitting thin heat shimmer; hard coal 4.0 GW appears centre-right as a blocky power station with a single large smokestack and conveyor structures; biomass 4.1 GW is rendered as a mid-sized industrial facility with a wood-chip silo and modest steam outlet near the centre; hydro 1.5 GW appears as a small dam structure in the far background with water flowing. TIME: 23:00, completely dark — a black sky with total 100% overcast blocking all stars, no twilight whatsoever. The only illumination comes from sodium-orange streetlights along access roads, the amber and white industrial lighting on the power stations, glowing furnace mouths visible through openings in the coal plants, and red aviation warning lights blinking atop turbine nacelles and smokestacks. The atmosphere is heavy and oppressive, reflecting the high electricity price — a low, pressing cloud ceiling lit from below by the industrial glow in sickly amber tones. Spring vegetation — lush green grasses and leafy trees — is barely visible in the artificial light, glistening slightly with moisture at 13.8°C. Painted in the style of a highly detailed 19th-century German Romantic oil painting with rich impasto brushwork, atmospheric chiaroscuro, deep shadow, and meticulous engineering accuracy on every turbine nacelle, cooling tower curvature, and exhaust stack detail. No text, no labels.