Brown coal 10.0 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into a heavy, oppressive pre-dawn sky; hard coal 4.0 GW sits just right of them as a smaller power station with rectangular stacks and conveyor belts feeding dark fuel; natural gas 4.3 GW appears as compact CCGT units with slender exhaust stacks emitting thin vapour in the centre-left; wind onshore 13.7 GW fills the centre and centre-right as dozens of tall three-blade turbines on lattice and tubular towers scattered across rolling green hills, blades turning slowly in moderate wind; wind offshore 2.1 GW appears in the far distance as a handful of turbines on the horizon line above a faint strip of sea; solar 21.1 GW, despite no direct radiation, occupies the right third as vast fields of aluminium-framed crystalline silicon PV panels stretching across gentle farmland, their surfaces dark and reflective under overcast sky, catching only faint ambient light; biomass 4.1 GW appears as a mid-sized industrial plant with a wood-chip silo and single smokestack amid trees; hydro 1.5 GW is a small dam and spillway in the far right background beside a wooded valley. The sky is deep blue-grey pre-dawn, no sun visible, with a faint pale glow just beginning on the eastern horizon; clouds cover roughly 60% of the sky, thick and layered, creating a heavy oppressive atmosphere reflecting the high electricity price; a few sodium-orange streetlights glow along a road winding through the foreground. Spring vegetation — fresh green meadows, budding deciduous trees, wildflowers — at approximately 11°C coolness, dew visible on grass. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, with rich deep colour, visible confident brushwork, dramatic atmospheric depth and chiaroscuro, meticulous engineering detail on every turbine nacelle, cooling tower, and panel frame, the scene feeling like a monumental masterwork of the industrial landscape. No text, no labels.