Brown coal 9.3 GW dominates the left third of the scene as a vast lignite power station complex with four massive hyperbolic cooling towers emitting thick white steam plumes into the night sky, lit from below by orange sodium floodlights; natural gas 5.9 GW fills the centre-left as two modern CCGT combined-cycle gas turbine plants with tall slender exhaust stacks, their metallic surfaces reflecting amber industrial lighting; biomass 4.0 GW appears centre-right as a cluster of smaller industrial boiler buildings with modest chimneys and stacked wood-chip storage yards illuminated by floodlights; hard coal 3.7 GW sits to the right as a traditional coal-fired power station with a single large smokestack and conveyor belt infrastructure; wind onshore 1.9 GW and wind offshore 1.2 GW appear as a sparse row of tall three-blade turbines on the far right horizon, their red aviation warning lights blinking faintly, rotors barely turning in the still air; hydro 1.4 GW is suggested by a dark river in the foreground reflecting the industrial lights. The time is 2 AM — the sky is completely black and overcast at 100% cloud cover with no stars, no moon, no twilight glow whatsoever, only dense low clouds faintly underlit by the industrial complex below. The air feels heavy, oppressive, reflecting the high electricity price. Temperature is a cool 10.8°C spring night — fresh green vegetation barely visible at the edges of the scene, dew on grass. The landscape is flat central German lowland. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich crossed with industrial realism — rich chiaroscuro contrasts between deep shadow and warm artificial light, visible confident brushwork, atmospheric depth with haze and steam dissolving into the black sky, meticulous engineering accuracy on turbine nacelles, lattice towers, cooling tower parabolic curves, CCGT exhaust geometry. The mood is solemn, monumental, nocturnal industrial sublime. No text, no labels, no human figures.