Brown coal 9.1 GW dominates the left third of the scene as a massive lignite power complex with four hyperbolic cooling towers emitting thick white steam plumes into the black sky; natural gas 5.8 GW fills the centre-left as two compact CCGT plants with tall single exhaust stacks and glowing orange sodium lights illuminating their steel structures; biomass 4.0 GW appears centre-right as a cluster of industrial wood-chip burning facilities with stockpiled fuel and warm amber-lit windows; hard coal 3.7 GW sits behind the biomass as a traditional coal station with rectangular mechanical draft cooling towers and conveyor belts lit by floodlights; wind onshore 1.9 GW appears in the far right as a small row of three-blade turbines on lattice towers standing completely motionless; wind offshore 1.0 GW is suggested by distant turbines on the far-right horizon; hydro 1.4 GW is represented by a small concrete dam facility at lower right with spillway lights reflecting on dark water. Time is 04:00—the sky is completely black with no twilight whatsoever, heavy 100% overcast obscuring all stars and moon, creating a low oppressive ceiling reflecting faint industrial glow. The atmosphere feels heavy and dense, conveying the high electricity price through an almost suffocating closeness in the air. Temperature is a cool 10.6°C in late May—lush spring vegetation barely visible in darkness, dew glistening on grass under sodium lights. No wind motion anywhere—smoke and steam rise perfectly vertical. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich, with rich dark colour palette of deep navy, amber, burnt sienna, and ivory, visible impasto brushwork, dramatic chiaroscuro from industrial lighting against absolute darkness, atmospheric depth with steam merging into low clouds, meticulous engineering accuracy on every turbine nacelle, cooling tower curvature, and CCGT exhaust stack. No text, no labels.