Lignite, gas, and hard coal anchor overnight supply while 10.8 GW of net imports cover the generation shortfall.
Back
Generation mix
Wind onshore 15%
Wind offshore 10%
Biomass 14%
Hydro 5%
Natural gas 17%
Hard coal 13%
Brown coal 26%
43%
Renewable share
7.0 GW
Wind (on + offshore)
0.0 GW
Solar
28.8 GW
Total generation
-10.8 GW
Net import
125.9 €/MWh
Day-ahead price
12.8°C / 7 km/h
Temp / Wind speed
Open-Meteo, Kassel (51.3°N 9.5°E)
46.0% / 0.0 W/m²
Cloud cover / Radiation
401
gCO₂/kWh
Image prompt
Brown coal 7.6 GW dominates the left third of the scene as a massive lignite power station with four hyperbolic cooling towers emitting thick, luminous steam plumes lit from below by sodium-orange industrial lights; natural gas 5.0 GW occupies the centre-left as two compact CCGT plants with tall single exhaust stacks venting thin white plumes; hard coal 3.8 GW appears centre-right as a dark coal-fired station with a large rectangular boiler house and twin chimneys; wind onshore 4.2 GW stretches across the right quarter as a line of three-blade turbines on lattice towers set on rolling hills, their red aviation warning lights blinking; wind offshore 2.9 GW is suggested in the far-right background as distant turbines standing in a dark sea glimpsed beyond the coastline; biomass 4.0 GW appears as a mid-sized industrial plant with a wood-chip silo and a modest stack between the gas and coal stations; hydro 1.3 GW is a small concrete dam and powerhouse nestled in a valley in the far background. Time is 02:00 — completely dark sky, deep navy-black with no twilight or sky glow, scattered clouds at 46% partially obscuring faint stars. The atmosphere is heavy and oppressive, reflecting the high electricity price: low haze clings to the ground, industrial vapor drifts across the mid-ground, and the air feels dense and warm at 12.8°C with only gentle motion in the grass from 7 km/h winds. Late-May vegetation is lush — full-leafed deciduous trees and tall grass in the foreground barely visible in the industrial glow. All illumination comes from artificial sources: sodium streetlights casting orange pools along access roads, blue-white LED floodlights on turbine halls, glowing windows in control rooms, and red warning lights on stacks and nacelles. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich crossed with industrial realism — rich, dark colour palette of deep blues, blacks, and warm oranges, visible impasto brushwork, atmospheric depth with layers of industrial haze, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.