Solar 49.5 GW dominates the scene as a vast expanse of crystalline silicon photovoltaic panels stretching across rolling green hills and agricultural fields, occupying roughly five-sixths of the composition, their aluminium frames gleaming under a blazing midday sun in a perfectly cloudless cobalt sky. Biomass 3.9 GW appears as a cluster of small wood-fired power stations with modest chimneys and thin pale exhaust streams at center-left. Brown coal 1.9 GW is rendered as a pair of hyperbolic concrete cooling towers with faint white steam plumes at the far left background. Natural gas 1.5 GW shows as a single compact CCGT plant with a slender exhaust stack beside the cooling towers. Wind onshore 1.1 GW is depicted as two or three large three-blade turbines on a distant ridge, their rotors barely turning in the still air. Hydro 1.1 GW appears as a small dam with water glinting in a valley at far right. Wind offshore 0.5 GW is suggested by tiny turbine silhouettes on a hazy horizon line. The atmosphere is serene, open, luminous — warm late-May sunshine at 27°C with lush green deciduous trees in full leaf, wildflowers dotting meadow edges, the calm open sky reflecting the deeply negative electricity price. The light is direct, high-angle, casting short shadows. Painted as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape art — rich saturated colour, visible confident brushwork, atmospheric depth receding into hazy blue distance — yet every engineering detail is meticulous: turbine nacelles, lattice towers, panel wiring, cooling tower ribbing, CCGT exhaust geometry. No text, no labels.