Brown coal 4.4 GW dominates the left foreground as three massive hyperbolic cooling towers with thick white-grey steam plumes rising into the overcast sky; natural gas 4.3 GW occupies the centre-left as a pair of compact CCGT plants with tall slender exhaust stacks emitting thin heat shimmer; hard coal 2.9 GW appears centre-right as a large boiler house with a broad chimney and coal conveyor belts; onshore wind 4.0 GW fills the right middle ground as a row of modern three-blade turbines on lattice-free tubular towers, blades barely rotating in the light breeze; solar 4.1 GW is rendered as a large field of aluminium-framed crystalline silicon panels in the right foreground, their surfaces dull and unreflective under the thick clouds; biomass 4.1 GW appears as a wood-chip-fed CHP plant with a cylindrical silo and modest stack behind the coal facility; hydro 1.4 GW is suggested by a small dam and powerhouse nestled in a distant valley at the far right; offshore wind 0.4 GW is a faint silhouette of a few turbines on the far horizon. The sky is entirely overcast at 100% cloud cover, a uniform heavy grey ceiling pressing down oppressively, consistent with a high electricity price. Time is 06:00 dawn in late May: a pale blue-grey pre-dawn glow barely illuminates the eastern horizon, no direct sunlight, the landscape lit in cold diffuse half-light with scattered sodium-orange industrial lamps still glowing at the power plants. Temperature is a cool 12°C spring morning; the vegetation is lush green May foliage — birch and linden trees in full leaf — with dew on grass. Painted in the style of a highly detailed 19th-century German Romantic oil painting with rich, moody colour palette of slate greys, muted greens, and warm industrial ochres, visible confident brushwork, atmospheric depth with haze between layers of infrastructure, meticulous engineering accuracy on every turbine nacelle, cooling tower ribbing, and panel frame. No text, no labels.