Solar 42.2 GW dominates the entire scene as vast fields and rooftop arrays of crystalline silicon PV panels stretching across rolling green hills and village rooftops, occupying roughly three-quarters of the composition, their aluminium frames glinting under bright late-morning sun. Biomass 4.2 GW appears as a cluster of small wood-chip CHP plants with modest stacks and thin white exhaust plumes in the middle distance. Brown coal 2.0 GW stands at the far left as two hyperbolic concrete cooling towers with lazy steam columns rising into the sky. Wind onshore 1.8 GW is represented by a small group of three-blade turbines on a distant ridge, rotors turning slowly in light breeze. Natural gas 1.5 GW appears as a compact CCGT plant with a single slender exhaust stack near the brown coal towers. Hydro 1.5 GW is suggested by a small dam and reservoir visible in a valley. The sky is late-morning bright at 10:00 in Berlin — high sun from the southeast, partly cloudy with roughly one-third cloud cover, cirrus and scattered cumulus, deep blue sky between clouds, direct sunlight casting crisp shadows. Temperature is a pleasant 21°C; vegetation is lush late-spring green — full canopy on deciduous trees, wildflowers in meadows, fresh grass. The atmosphere is calm and luminous, conveying the ease of negative prices — open, spacious, unhurried air. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich saturated colour, visible impasto brushwork, atmospheric depth and subtle aerial perspective, golden-green palette. Every energy technology rendered with meticulous engineering accuracy: turbine nacelles, three-blade rotors on lattice and tubular towers, aluminium-framed PV modules with visible cell grids, lignite cooling towers with correct hyperbolic geometry, CCGT exhaust stacks. No text, no labels, no human figures prominent.