Solar 6.9 GW occupies the right quarter as rows of aluminium-framed crystalline silicon PV panels on green fields, their surfaces dull under heavy overcast with no direct sunlight. Wind onshore 6.2 GW spans the centre-right as dozens of three-blade turbines on lattice and tubular towers across rolling hills, blades turning slowly in moderate breeze. Biomass 4.3 GW appears centre-left as a cluster of industrial wood-chip and biogas plants with squat chimneys emitting thin white exhaust. Brown coal 3.1 GW dominates the left as two massive hyperbolic cooling towers with heavy steam plumes rising into the grey sky, flanked by conveyor belts of dark lignite. Natural gas 1.9 GW sits as a compact CCGT plant with a single tall exhaust stack and visible heat shimmer. Hard coal 1.3 GW appears as a smaller coal-fired station with a rectangular stack and coal yard. Hydro 1.5 GW is rendered as a concrete dam in the distant middle ground with water spilling over a weir. Wind offshore 0.5 GW appears on the far horizon as a faint line of turbines above a grey sea. The sky is entirely overcast with thick, oppressive, low-hanging clouds in tones of slate grey and warm ochre, conveying a heavy, expensive atmosphere. The time is 19:00 in late May — dusk light with a dim orange-red glow on the lowest horizon fading rapidly, the upper sky darkening toward deep blue-grey. Lush green late-spring vegetation covers the hills and meadows, with mature deciduous trees in full leaf. The warm 24°C air is suggested by hazy atmospheric depth and soft light. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial realism — rich colour palette of greys, muted greens, warm amber horizon tones, visible impasto brushwork, meticulous engineering detail on every turbine nacelle, cooling tower, and panel frame. Atmospheric, grand, melancholic. No text, no labels.