Wind onshore 7.6 GW dominates the right third of the scene as a long ridge of three-blade wind turbines with lattice towers, their rotors turning at moderate speed in the night breeze. Brown coal 4.5 GW occupies the left foreground as a cluster of massive hyperbolic cooling towers emitting thick white steam plumes lit from below by sodium-orange industrial lights. Natural gas 4.8 GW sits left of centre as two compact CCGT power blocks with tall single exhaust stacks releasing thin heat shimmer, their control buildings glowing with warm interior light. Hard coal 2.9 GW appears behind the gas plant as a smaller set of rectangular boiler houses with a single chunky smokestack trailing grey emissions, lit by floodlights. Biomass 4.5 GW is rendered centre-right as a wood-clad industrial facility with a domed digester and low exhaust, warm amber light spilling from loading bays stacked with timber. Hydro 1.5 GW appears in the far background as a concrete dam wall with a thin cascade of white water catching artificial light. The sky is completely dark, deep navy-black, no twilight, no glow on the horizon — a true 10 PM night. A waning crescent moon casts faint silver edges on the cooling tower rims. Stars are visible through the 4% cloud cover, the atmosphere nearly perfectly clear. Late-May vegetation: lush green deciduous trees and tall grass in the foreground illuminated by warm sodium streetlamps lining a road. The air feels heavy and oppressive despite the clear sky, conveying the high electricity price — a subtle haze hangs near the ground, giving the scene a brooding, weighted atmosphere. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial sublime — rich colour contrasts between orange industrial glow and cool moonlit sky, visible impasto brushwork, atmospheric depth receding into the dark horizon. Meticulous engineering detail on turbine nacelles, cooling tower parabolic curves, CCGT exhaust geometry. No text, no labels.