Wind onshore 6.4 GW spans the right third of the scene as a line of tall three-blade turbines on rolling green hills, their rotors turning gently in moderate wind; brown coal 4.5 GW dominates the left background as massive hyperbolic cooling towers emitting heavy white steam plumes lit from below by amber industrial light; natural gas 4.7 GW appears centre-left as a cluster of compact CCGT units with sleek single exhaust stacks venting thin grey plumes; biomass 4.3 GW occupies the centre as a mid-sized industrial plant with a distinctive wood-chip silo and low chimneys releasing pale smoke; hard coal 2.9 GW sits behind the biomass plant as a gritty power station with conveyor belts and a square stack; hydro 1.5 GW appears as a small illuminated dam structure at the far left edge beside a dark river; wind offshore 0.4 GW is barely visible as a faint silhouette of a single turbine on the distant horizon line. TIME: midnight, completely dark sky — deep navy-black, no twilight, no sky glow, a scattering of cold stars visible through 2% cloud cover. All facilities are lit by sodium-orange and cool-white industrial lighting, casting pools of warm and harsh light on surrounding terrain. The mild May night shows lush green grass and leafy deciduous trees, barely visible in the peripheral glow. The atmosphere feels heavy and oppressive, reflecting the high electricity price — a brooding weight to the air, haze clinging to the cooling tower plumes. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich, with rich deep colours, visible textured brushwork, dramatic chiaroscuro between the black sky and glowing industrial complexes, atmospheric depth with layers of mist and steam, meticulous engineering accuracy on turbine nacelles, lattice towers, cooling tower parabolic curves, CCGT exhaust stacks, and conveyor infrastructure. No text, no labels.