Brown coal 4.5 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the black sky, lit from below by sodium-orange industrial lamps; natural gas 4.5 GW occupies the left-centre as compact CCGT power blocks with tall single exhaust stacks emitting thin vapour, illuminated by harsh halogen floodlights; hard coal 2.9 GW sits right of centre as a heavy industrial complex with conveyor belts and a large smokestack glowing faintly; wind onshore 4.5 GW spans the right third as a line of three-blade turbines on lattice towers, their red aviation warning lights blinking against the dark sky, rotors turning slowly in moderate wind; wind offshore 0.5 GW appears as a distant small group of turbines on the far-right horizon with faint red lights; biomass 4.1 GW is rendered as a mid-sized industrial facility with a domed digester and a single stack emitting pale vapour, placed between the coal and wind sections; hydro 1.4 GW appears as a small concrete dam structure in the foreground with water gleaming under artificial light. The sky is completely black with no twilight glow, a deep navy-to-black canopy with faint stars partially visible through rising steam. The atmosphere feels heavy and oppressive, reflecting the high electricity price — a brooding, dense quality to the air. Spring vegetation of fresh green leaves and grass is barely discernible in the foreground, lit only by amber streetlights along a winding road. The entire scene is rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape art — rich, dark tones with dramatic chiaroscuro, visible impasto brushwork, atmospheric depth with steam and haze layering the middle distance, meticulous engineering accuracy on every turbine nacelle, cooling tower shell, and exhaust stack. No text, no labels.