Natural gas 4.6 GW occupies the left foreground as two compact CCGT power plants with tall single exhaust stacks releasing thin heat shimmer; brown coal 4.5 GW fills the centre-left as massive hyperbolic cooling towers emitting heavy white steam plumes, lit from below by amber industrial floodlights; biomass 4.0 GW appears centre-right as a cluster of modest industrial boiler buildings with short chimneys and wood-chip conveyors, warmly lit from within; wind onshore 3.7 GW spans the right third of the composition as a row of large three-blade turbines on lattice towers set along a ridge, their red aviation warning lights blinking; hard coal 2.9 GW sits in the middle distance as a coal-fired plant with tall rectangular boiler house and conveyor belts feeding from a coal stockpile; hydro 1.4 GW appears as a small concrete dam structure in the far right background with water glistening; wind offshore 0.5 GW is subtly suggested by tiny turbine silhouettes on the far horizon. TIME: 3 AM, completely dark sky — deep navy-black, no twilight, no sky glow, stars barely visible through a nearly clear atmosphere (1% cloud cover). All structures illuminated only by sodium-orange streetlights, industrial floodlights, and glowing control-room windows. The atmosphere feels heavy and oppressive despite the clear sky, conveying high electricity prices — a thick, almost tangible industrial haze hangs low around the cooling towers. Spring vegetation: fresh green grass and leafy trees visible only where artificial light falls, otherwise dark silhouettes. Temperature is cool (11°C), slight mist clinging to low ground near the hydro dam. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich, with rich saturated colour, visible expressive brushwork, deep atmospheric perspective, and meticulous engineering accuracy in every turbine nacelle, cooling tower curvature, and exhaust stack detail. No text, no labels.