Brown coal 4.5 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into the darkness; natural gas 4.5 GW occupies the centre-left as a row of compact CCGT plants with tall single exhaust stacks emitting thin heated vapour, lit by sodium-orange industrial floodlights; biomass 4.0 GW appears centre-right as a group of sturdy wood-chip-fed power stations with conveyor belts and squat chimneys glowing warmly; hard coal 2.3 GW sits right of centre as a dark angular coal plant with a conveyor gantry and a single large smokestack; onshore wind 3.1 GW fills the right portion of the scene as a modest line of three-blade turbines on lattice towers, their rotors turning slowly in light wind; hydro 1.4 GW is represented by a small dam and penstock structure in the far right background; offshore wind 0.5 GW appears as a faint silhouette of two sea-based turbines on the distant horizon line. The sky is completely black with no twilight, no glow — a deep-navy-to-black pre-dawn firmament, nearly cloudless (1% cloud cover) with faint stars visible. The air feels heavy and oppressive, conveying the high electricity price — a brooding atmospheric weight pressing down on the industrial landscape. Temperature is mild at 11°C; spring vegetation is lush but invisible in the darkness except where caught by amber industrial lights. Puddles and wet surfaces reflect the sodium streetlights and furnace glow. The scene is rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich deep colours, visible expressive brushwork, dramatic chiaroscuro, atmospheric depth — yet with meticulous engineering accuracy on every turbine nacelle, cooling tower curve, and exhaust stack. No text, no labels.