Solar 13.2 GW dominates the right half of the canvas as vast fields of aluminium-framed crystalline silicon PV panels stretching across gentle rolling farmland, catching the first pale oblique light of early morning; brown coal 4.4 GW occupies the left background as a cluster of massive hyperbolic cooling towers with thick white steam plumes drifting slowly in near-still air; natural gas 4.0 GW appears as two compact CCGT power blocks with tall single exhaust stacks emitting thin heat shimmer, positioned left of centre; biomass 4.2 GW is rendered as a mid-ground industrial plant with a tall rectangular boiler building and wood-chip storage silos beside it; hard coal 2.5 GW shows a single coal plant with a wide chimney and conveyor belt structure at the far left edge; wind onshore 1.7 GW appears as a small group of three-blade turbines on a distant ridge, their rotors barely turning; wind offshore 0.8 GW is suggested by tiny turbines on a hazy horizon line far in the background; hydro 1.4 GW appears as a concrete dam structure nestled in a forested valley at far right. The sky is dawn at 07:00 in late May — deep blue-grey overhead transitioning to a band of pale apricot-peach light along the eastern horizon, no direct sun visible yet, the landscape lit by soft diffuse pre-sunrise glow. The atmosphere feels heavy and slightly oppressive despite the clear sky, reflecting the high electricity price — a faint industrial haze hangs in the valleys. Vegetation is lush late-spring green, wildflowers in meadows, deciduous trees fully leafed. Air is still, no motion in grass or flags. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial realism — rich saturated colour, visible confident brushwork, deep atmospheric perspective, meticulous engineering detail on every turbine nacelle, every panel frame, every cooling tower's parabolic curve. No text, no labels.