Solar 50.0 GW dominates the entire composition: an immense, sweeping valley filled with endless rows of aluminium-framed crystalline silicon photovoltaic panels stretching from the foreground deep into the hazy distance, their blue-black surfaces blazing with reflected midday light, covering roughly 83% of the visual field. Biomass 3.9 GW appears as a cluster of modest wood-chip power stations with squat chimneys and thin white exhaust streams in the mid-left. Brown coal 1.8 GW is rendered as two hyperbolic concrete cooling towers with faint steam wisps, tucked into the far left background, small in proportion. Natural gas 1.5 GW is a compact CCGT plant with a single slender exhaust stack and minimal heat shimmer, placed just beside the cooling towers. Hydro 1.3 GW shows as a concrete dam with water cascading in a narrow gorge at the far right edge. Wind onshore 0.9 GW and offshore 0.8 GW appear as a sparse handful of three-blade turbines on a distant ridgeline, their rotors frozen still in the dead-calm air. The sky is a vast, completely cloudless dome of luminous cerulean blue, the sun at its near-zenith flooding the scene with intense, shadowless white-gold light — full midday brilliance of late May. The atmosphere feels calm, open, almost weightless, reflecting the negative electricity price. Late-spring vegetation is lush: bright green deciduous trees in full leaf, wildflower meadows between panel rows, warm air shimmering faintly above dark panel surfaces. Temperature reads as warm — figures in shirtsleeves visible near a substation. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, with rich impasto brushwork, meticulous engineering detail on every technology element, atmospheric aerial perspective fading into a luminous horizon, dramatic sense of scale between the vast solar fields and the tiny thermal plants. No text, no labels.