Brown coal 5.6 GW dominates the left quarter of the scene as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into the black sky, lit from below by sodium-orange industrial floodlights. Hard coal 3.4 GW sits just right of centre-left as a smaller coal plant with rectangular chimney stacks and conveyor belts, glowing amber under worklights. Natural gas 3.7 GW occupies the centre as two compact CCGT units with slim exhaust stacks emitting thin transparent heat haze, their turbine halls illuminated by blue-white halogen lamps. Wind onshore 6.2 GW spans the right third of the composition as a line of tall three-blade turbines on lattice towers stretching across rolling hills, their red aviation warning lights blinking against a completely dark, star-filled deep-navy sky with no twilight or sky glow. Wind offshore 1.8 GW appears in the far-right background as a handful of turbines standing in a barely visible dark sea, marked by tiny red lights. Biomass 3.9 GW is rendered as a mid-ground wood-clad industrial facility with a short smokestack releasing pale vapour, warmly lit from within. Hydro 1.5 GW is suggested by a small dam structure in the far middle distance, water glinting faintly under starlight. The sky is completely black except for stars and a clear Milky Way — cloud cover is near zero. The late-spring landscape features lush green meadows and leafy deciduous trees, barely visible in the darkness except where caught by facility lighting. The air feels heavy and oppressive despite the clear sky, conveying the tension of high electricity prices — a faint haze clings to the industrial structures. Painted in the style of a highly detailed 19th-century German Romantic oil painting with rich, dark colour palette, visible brushwork, dramatic chiaroscuro from artificial light sources, and atmospheric depth — technically precise depictions of each energy facility, no text or labels.