Wind onshore 9.2 GW dominates the right half of the scene as dozens of tall three-blade turbines on lattice towers stretching across rolling dark hills, their red aviation warning lights blinking; wind offshore 3.3 GW appears in the far right background as a cluster of turbines visible on a dark horizon line above a faintly gleaming sea. Brown coal 5.2 GW occupies the left foreground as three massive hyperbolic cooling towers emitting luminous steam plumes lit from below by orange sodium lamps, with conveyor belts of lignite faintly visible. Natural gas 7.1 GW fills the centre-left as a brightly illuminated CCGT power station with tall single exhaust stacks releasing thin heat shimmer, surrounded by pipework glowing under floodlights. Hard coal 3.1 GW appears as a smaller industrial block behind the gas plant, with a single squat cooling tower and coal stockpile. Biomass 4.2 GW is rendered as a mid-sized wood-chip-fed generating station with a glowing furnace mouth and short smokestack, placed in the centre. Hydro 1.7 GW appears as a concrete dam structure in the left middle distance with water catching faint artificial light. Solar 0.1 GW is virtually absent — no panels visible. The sky is completely dark, deep navy-black, no twilight whatsoever, a few stars visible through a perfectly clear sky with zero cloud cover. The air feels warm and heavy — lush late-May deciduous trees in full green leaf are barely visible in the darkness, lit only by industrial glow. The atmosphere is oppressive and dense, reflecting a price of 184.8 EUR/MWh — a faint amber-brown haze hangs over the industrial complex, sodium streetlights cast pools of harsh orange on roads and rail sidings. High-voltage transmission pylons recede into the darkness toward the borders, suggesting massive power imports. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, saturated colour with visible, textured brushwork, deep chiaroscuro contrasts between the black night sky and the warm artificial illumination of industry, atmospheric depth achieved through layered smoke and haze, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. The painting evokes both industrial sublime and nocturnal melancholy. No text, no labels.