Wind onshore 10.5 GW dominates the right third of the scene as dozens of tall three-blade turbines with white lattice towers receding into the distance across rolling dark farmland; natural gas 7.4 GW occupies the centre-right as a cluster of compact CCGT plants with slender single exhaust stacks emitting thin plumes lit from below by sodium lights; brown coal 5.2 GW fills the centre-left with two massive hyperbolic cooling towers releasing heavy white steam plumes glowing faintly orange from facility lighting; biomass 4.2 GW appears as a mid-sized industrial plant with a woodchip conveyor and a single squat smokestack near the left; hard coal 3.1 GW sits at the far left as a smaller coal-fired station with angular boiler houses and a tall chimney; hydro 1.6 GW is suggested by a dam structure barely visible in the far background valley. Wind offshore 3.4 GW is hinted at by distant turbine silhouettes on the far-right horizon line suggesting a coast. The sky is completely dark — deep black to navy, no twilight, no sky glow — it is 22:00 in late May. A cloudless night sky with sparse stars faintly visible but largely washed out by the industrial glow. The atmosphere feels heavy and oppressive, reflecting a high electricity price — a dense, close warmth suggested by warm-toned haze around the industrial facilities. Temperature is 21.5°C so vegetation is lush late-spring green, visible where sodium streetlights and facility floodlights spill across the foreground meadow. No solar panels anywhere. No sunshine. All illumination comes from artificial sources — amber sodium lamps, white facility floodlights, red aircraft warning lights on turbine nacelles, glowing control-room windows. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painting — rich impasto brushwork, deep chiaroscuro, atmospheric depth with industrial haze — yet with meticulous engineering accuracy on every turbine nacelle, cooling tower curvature, and exhaust stack detail. No text, no labels.