Wind onshore 12.4 GW dominates the right half of the canvas as dozens of tall three-blade turbines with white tubular towers receding across a gently rolling German landscape into deep darkness; wind offshore 3.2 GW appears as a distant cluster of turbines on the far-right horizon above a faintly glinting North Sea; brown coal 5.3 GW occupies the left foreground as three massive hyperbolic cooling towers emitting thick white-grey steam plumes lit from below by amber sodium lamps; natural gas 6.7 GW fills the left-centre as two compact combined-cycle gas turbine blocks with tall single exhaust stacks venting thin heat shimmer, their control rooms glowing warm yellow; hard coal 3.1 GW sits behind the gas plant as a smaller power station with a single large stack and conveyor belts carrying dark fuel; biomass 3.9 GW appears centre-right as a modest industrial facility with a rounded dome and wood-chip storage yard illuminated by white floodlights; hydro 1.6 GW is a small dam structure visible in the middle distance with water gleaming faintly under artificial light. The sky is completely black with scattered bright stars and a clear Milky Way — zero cloud cover, no moon glow, absolutely no twilight or sky brightening. The atmosphere feels heavy and oppressive despite the clear sky, with industrial haze drifting low across the scene reflecting the amber and white artificial lights, conveying high electricity prices. Warm late-May vegetation — full leafy deciduous trees, tall grass — rendered in muted dark greens visible only where light spills. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters — Caspar David Friedrich meets industrial sublime — rich impasto brushwork, deep chiaroscuro, atmospheric depth, meticulous engineering accuracy on every turbine nacelle, cooling tower flute, and CCGT exhaust stack. No text, no labels.