Wind onshore 12.4 GW dominates the right half of the scene as dozens of tall three-blade turbines on lattice towers stretching across rolling dark hills into the distance; brown coal 5.6 GW occupies the far left as three massive hyperbolic cooling towers with pale steam plumes rising into the black sky, lit from below by orange sodium lights of an industrial complex; natural gas 5.5 GW appears left-of-centre as two compact CCGT units with tall single exhaust stacks emitting thin vapour, illuminated by harsh white facility lighting; hard coal 3.2 GW sits beside them as a smaller power station with a single squat cooling tower and conveyor infrastructure, glowing under amber floodlights; biomass 3.8 GW is rendered as a mid-sized plant with a wood-chip silo and modest smokestack in the centre-right middle ground; wind offshore 3.3 GW is suggested by a distant cluster of turbines on the far-right horizon, their red aviation warning lights blinking; hydro 1.6 GW appears as a small dam structure in a valley in the right middle ground, water glinting faintly under facility lights. The sky is completely black with no twilight or sky glow — a deep navy-to-black canopy filled with crisp stars on a clear, cloudless night. The atmosphere feels heavy and oppressive despite the clear sky, conveying the tension of a high-price hour: a faint industrial haze hangs low, tinged orange by sodium vapour lamps. Late-May vegetation — full leafy trees, tall grass — is barely visible in silhouette, lush and warm-season. No solar panels anywhere. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, dramatic chiaroscuro between the dark landscape and the glowing industrial facilities, atmospheric depth receding into darkness, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.