Wind onshore 12.8 GW dominates the right half of the scene as dozens of tall three-blade turbines with white lattice towers stretching across rolling central German hills, rotors visibly turning in moderate wind. Brown coal 6.5 GW occupies the far left as a massive lignite power station with three hyperbolic cooling towers emitting thick pale steam plumes lit from below by sodium-orange industrial lighting. Natural gas 5.7 GW appears left of centre as a compact CCGT facility with twin tall exhaust stacks releasing thin translucent heat shimmer, lit by banks of white security floodlights. Hard coal 3.2 GW sits beside the lignite plant as a smaller station with a single rectangular boiler house and conveyor belts, coal piles faintly visible under amber light. Biomass 4.3 GW is rendered as a mid-sized wood-fired plant with a squat chimney and stacked timber logs in its yard, warm interior glow through high windows. Wind offshore 2.1 GW appears as a distant cluster of turbines on the far-right horizon, their red aviation warning lights blinking against the dark. Hydro 1.8 GW is a small dam and powerhouse nestled in a valley in the middle distance, water gleaming faintly under starlight. The sky is completely dark — deep navy to black, no twilight, no glow on the horizon — a clear starfield stretching overhead with the Milky Way faintly visible, consistent with zero cloud cover. The atmosphere feels heavy and oppressive despite the clear sky, conveying the high electricity price: a brooding, weighty stillness over the industrial landscape. Late-May vegetation — full leafy deciduous trees, tall grass — is barely discernible in the ambient industrial light. The scene is rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich, with rich colour, visible layered brushwork, deep atmospheric perspective, and meticulous engineering accuracy on every turbine nacelle, cooling tower hyperbolic curve, and exhaust stack. No text, no labels.