Brown coal 6.6 GW dominates the left quarter of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the black night sky, their bases lit by orange sodium lights; natural gas 4.7 GW occupies the centre-left as two compact CCGT power blocks with tall single exhaust stacks emitting thin heat shimmer, illuminated by harsh industrial floodlights; hard coal 3.1 GW appears centre-right as a smaller coal plant with conveyor belts and a single rectangular cooling tower, lit by amber security lighting; wind onshore 7.1 GW spans the right third as a long receding row of three-blade turbines on lattice and tubular towers, their red aviation warning lights blinking against the darkness, blades turning slowly in moderate wind; wind offshore 1.2 GW is suggested in the far right distance as tiny red lights on the black horizon line; biomass 3.8 GW appears as a mid-sized industrial facility with a wood-chip silo and a modest smokestack, warmly lit, nestled between the coal and wind installations; hydro 1.8 GW is represented by a small dam structure in the lower foreground with water gleaming under floodlights. The sky is completely black with scattered bright stars and a clear Milky Way band visible — no moon, no twilight, no sky glow — a true 2 AM spring darkness. The landscape is late-May green with deciduous trees in full leaf, visible only where artificial light reaches them. The atmosphere feels heavy and oppressive despite the clear sky, with a brooding quality reflecting the high electricity price — the steam plumes seem to press downward, the air thick and still. Fresh spring grass and wildflowers are faintly visible at the very bottom edge. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, deep chiaroscuro contrasts between the industrial sodium-orange lights and the vast black sky, atmospheric depth receding to a distant horizon, meticulous engineering detail on every turbine nacelle, cooling tower ribbing, and gas stack flange — evoking Caspar David Friedrich's sense of sublime scale but applied to the modern industrial energy landscape. No text, no labels.