Brown coal 5.9 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into black sky, lit from below by orange sodium lamps; onshore wind 5.7 GW spans the centre-left as a line of tall three-blade turbines on lattice towers, blades turning slowly, red aviation warning lights blinking on nacelles; natural gas 4.9 GW appears centre-right as a compact CCGT facility with slim exhaust stacks emitting thin heat shimmer, warmly lit by facility floodlights; biomass 3.8 GW sits as a mid-sized industrial plant with a wood-chip conveyor and modest chimney with faint grey exhaust, right of centre; hard coal 3.0 GW is rendered as a classical coal plant with a tall brick smokestack and bunker silos, slightly behind the gas plant; hydro 1.7 GW appears far right as a concrete dam face with spillway, subtly lit by a single floodlight; offshore wind 0.9 GW is a distant pair of turbines on the far horizon line barely visible against the dark. The sky is completely black to deep navy, no twilight, no moon, only stars faintly visible through a perfectly clear atmosphere with zero cloud cover. The scene is a gentle rolling central German landscape with spring-green grass and full-leafed deciduous trees, temperature around 9°C suggested by faint ground mist curling through meadows. The atmosphere is heavy and oppressive despite clear skies, reflecting the high electricity price — a brooding, weighty stillness. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, with rich deep colour, visible confident brushwork, dramatic chiaroscuro between artificial light pools and surrounding darkness, atmospheric depth receding to a dark horizon. Every energy technology rendered with meticulous engineering accuracy — turbine nacelles and rotor hubs, aluminium cooling tower profiles, CCGT heat recovery units. No text, no labels.