Solar 13.6 GW dominates the right half of the scene as vast fields of aluminium-framed crystalline silicon PV panels stretching across gently rolling farmland, angled to catch the first eastern light; brown coal 5.7 GW occupies the left background as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into still air; natural gas 5.1 GW appears as a group of compact CCGT power plants with tall single exhaust stacks and thin vapour trails positioned left of centre; biomass 4.0 GW is rendered as a mid-ground industrial facility with wood-chip silos and a broad smokestack emitting faint grey wisps; hard coal 2.8 GW shows as a smaller coal plant with conveyor belts and a pair of shorter stacks behind the biomass plant; wind onshore 2.6 GW appears as a modest row of three-blade turbines with lattice towers on a distant ridge, blades barely turning in the light 5.7 km/h breeze; hydro 1.7 GW is depicted as a concrete dam and spillway nestled in a forested valley at far right; wind offshore 0.6 GW is suggested by tiny turbines on a sliver of sea visible at the far-left horizon. Time of day is dawn at 07:00 in late May: the sky transitions from deep indigo overhead to a pale blue-grey and thin amber band at the eastern horizon where the sun has not yet crested, casting long blue-purple shadows across the landscape. The atmosphere feels heavy and oppressive despite the clear sky, with a slight industrial haze hanging low — reflecting the high electricity price. Temperature is a cool 8°C: spring vegetation is lush and green but glistening with dew, breath-like condensation visible near the cooling towers. Nearly cloudless sky at 3% cover, a few faint cirrus wisps. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich saturated colour palette of deep blues, warm ambers, and cool greens, visible confident brushwork, atmospheric depth with sfumato haze in the distance, meticulous engineering detail on every turbine nacelle, PV panel frame, cooling tower shell, and exhaust stack. The composition evokes Caspar David Friedrich's sense of sublime scale, with tiny human figures near the solar field for perspective. No text, no labels.