Solar 52.5 GW dominates the scene as an immense expanse of crystalline silicon photovoltaic panels stretching across rolling green farmland from the centre to the far right, covering roughly three-quarters of the composition, their aluminium frames glinting fiercely under a blazing midday sun in a perfectly cloudless cerulean sky. Brown coal 3.4 GW appears at the far left as two hyperbolic concrete cooling towers with thin white steam plumes rising vertically in the still air, surrounded by conveyor gantries and lignite stockpiles. Biomass 3.7 GW sits as a cluster of cylindrical digesters and a small wood-chip boiler with a low exhaust stack just left of centre. Wind onshore 2.3 GW shows as four three-blade turbines with white tubular towers on a gentle ridge behind the solar fields, their rotors barely turning in the light breeze. Wind offshore 2.3 GW is suggested by a distant row of turbines on a hazy horizon line at the far right. Natural gas 1.7 GW is a single compact CCGT plant with a silver exhaust stack near the left cooling towers. Hydro 1.7 GW appears as a small dam spillway visible in a mid-ground river valley. Hard coal 0.2 GW is a single tiny smokestack barely visible beside the brown coal plant. The landscape is lush late-May green, wildflowers in meadows, deciduous trees in full canopy, temperature conveying warm summer-like conditions at 25°C. The atmosphere is calm, luminous, and open — no haze, no oppressive weight — reflecting the zero electricity price. High-altitude light floods every surface. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich saturated colour, visible confident brushwork, atmospheric depth with warm golden tones in the foreground and cool blues receding to the horizon — yet rendered with meticulous engineering accuracy on every turbine nacelle, PV cell grid pattern, cooling tower curvature, and exhaust stack detail. No text, no labels.