Solar 44.9 GW dominates the scene as vast expanses of crystalline silicon PV arrays covering rolling farmland across the entire right two-thirds of the canvas, aluminium frames glinting under strong afternoon sun; brown coal 3.5 GW appears in the far left as two hyperbolic cooling towers with lazy white steam plumes rising; biomass 3.7 GW sits as a mid-scale wood-chip power station with a tall stack and small woodchip yard just left of centre; wind onshore 3.6 GW shown as a cluster of five three-blade turbines on a distant ridge, blades barely turning in light wind; natural gas 1.8 GW rendered as a compact single CCGT unit with a slim exhaust stack near the cooling towers; hydro 1.7 GW depicted as a small concrete run-of-river weir with foaming spillway in the foreground middle-left; wind offshore 1.4 GW visible as tiny turbines on the far horizon line above a faint coastal shimmer. Full afternoon daylight at 15:00 in late May — sun high in a partly cloudy sky with scattered cumulus, direct radiation casting sharp shadows, sky a warm blue with white-grey cloud patches. Temperature 28°C expressed through lush green late-spring foliage, wildflowers in meadows between solar rows, heat shimmer above dark PV surfaces. Calm, open, expansive atmosphere suggesting low electricity prices — no oppressive tones. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, rich saturated colour palette, visible impasto brushwork in clouds and foliage, atmospheric aerial perspective with blue haze on distant hills, meticulous engineering accuracy on all technology elements — three-blade rotor assemblies with nacelles, lattice towers, aluminium PV module frames, concrete cooling tower shells with visible reinforcement rings, CCGT exhaust geometry. No text, no labels.