Brown coal 6.4 GW dominates the left quarter of the scene as a cluster of massive hyperbolic cooling towers emitting thick pale steam plumes into the darkness, lit from below by orange sodium lamps; onshore wind 5.7 GW spans the centre-right as a staggered line of tall three-blade turbines on lattice towers, their rotors turning slowly, visible against the dark sky by red aviation warning lights on the nacelles; natural gas 4.2 GW appears centre-left as a pair of compact CCGT plant blocks with slender exhaust stacks trailing thin heat shimmer, illuminated by floodlights; biomass 4.2 GW sits at lower-right as a modest wood-clad industrial facility with a single squat chimney and a warm glow from intake doors; hard coal 2.5 GW appears behind the lignite plant as a smaller conventional boiler house with a single large smokestack; hydro 1.7 GW is represented by a distant dam structure at far right, with water gleaming faintly under security lighting; offshore wind 0.7 GW is a tiny cluster of turbine silhouettes on the far horizon barely visible. The sky is completely dark, deep navy-black, 99% cloud cover blocking all stars and moonlight, no twilight whatsoever — the only illumination comes from sodium streetlights casting amber pools, industrial floodlights, and glowing facility windows. The atmosphere is heavy and oppressive, hinting at the high electricity price, with low cloud pressing down and steam from cooling towers merging into the overcast ceiling. Late-spring vegetation — leafy deciduous trees and tall grass — is dark green, barely visible in the artificial light, swaying gently in a faint breeze. A wide river in the foreground reflects the amber industrial glow. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, with rich colour, visible impasto brushwork, atmospheric depth, and meticulous engineering accuracy in every turbine nacelle, cooling tower profile, and exhaust stack detail. No text, no labels.