Brown coal 6.4 GW dominates the left quarter of the scene as a massive lignite power station with three hyperbolic cooling towers emitting thick steam plumes into the blackness; onshore wind 5.5 GW fills the centre-left as a line of tall three-blade turbines on lattice towers, blades barely turning in near-still air; natural gas 4.1 GW appears centre-right as two compact CCGT units with single tall exhaust stacks venting thin white exhaust; biomass 4.1 GW is rendered as a wood-chip-fed industrial plant with a rectangular stack and warm amber glow from furnace grates visible through openings; hard coal 2.5 GW sits to the far right as a smaller coal plant with a single squat cooling tower and conveyor belt; hydro 1.6 GW appears as a small concrete dam structure in the middle distance with illuminated spillway; offshore wind 0.7 GW is a faint cluster of turbines on the far horizon line. The scene is set at 23:00 in complete darkness — a pitch-black sky with no stars visible through 100% cloud cover, no twilight glow, no moon. The only light sources are sodium-orange industrial floodlights, glowing furnace mouths, blinking red aviation warning lights atop turbines and stacks, and pale security lighting around facility perimeters. The atmosphere is heavy, oppressive, and humid, suggesting the high electricity price — low haze clings to the ground, and steam from cooling towers merges with the overcast ceiling. Late-May vegetation — full-leafed deciduous trees, tall grass — is barely visible at the edges of light pools. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, with rich chiaroscuro, visible impasto brushwork, dramatic atmosphere, yet meticulous engineering accuracy in every turbine nacelle, cooling tower profile, and exhaust stack. No text, no labels.