Brown coal 6.4 GW dominates the left third of the scene as a cluster of four massive hyperbolic cooling towers with thick white-grey steam plumes rising into the darkness; wind onshore 4.4 GW and offshore 0.6 GW occupy the centre-right as a scattered line of tall three-blade turbines with rotors barely turning in near-calm air; natural gas 4.0 GW appears centre-left as two compact CCGT plants with single tall exhaust stacks emitting thin heat shimmer; biomass 3.8 GW is rendered as a medium-sized industrial plant with a wood-chip conveyor and a single smokestack glowing faintly; hard coal 2.5 GW sits behind the lignite towers as a smaller coal-fired station with a conveyor belt and rectangular cooling tower; hydro 1.6 GW is a concrete dam structure in the far right background with water glinting faintly under artificial floodlights. Time is 1 AM — the sky is completely black with heavy 90% cloud cover obscuring all stars, no twilight whatsoever, only sodium-orange streetlights and industrial facility lighting casting pools of amber glow on wet ground. The atmosphere is oppressive and heavy, reflecting the high electricity price — low haze clings to the ground, warm late-May vegetation (full leafy trees, tall grass) visible only where lit by industrial light. Temperature is mild at 17°C, so the air feels humid and thick. No solar panels anywhere. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich dark palette of deep navy, amber, ochre, and charcoal — visible impasto brushwork, dramatic chiaroscuro between the glowing industrial installations and the surrounding darkness, atmospheric depth with receding layers of towers and turbines fading into murky night. Meticulous engineering detail on turbine nacelles, lattice towers, cooling tower parabolic curves, and gas plant exhaust infrastructure. The scene evokes a brooding industrial sublime. No text, no labels.