Brown coal 6.4 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the black sky, lit from below by amber sodium lights illuminating the lignite plant infrastructure; natural gas 3.7 GW fills the centre-left as compact CCGT power blocks with tall single exhaust stacks venting heat shimmer, their metal housings glinting under harsh industrial floodlights; wind onshore 3.7 GW appears in the centre-right as a row of three-blade turbines on lattice towers standing motionless against the dark sky, red aviation warning lights blinking at their nacelles; biomass 3.7 GW sits to the right as a medium-sized industrial facility with a wood-chip conveyor belt and a modest smokestack emitting thin pale smoke, warmly lit by yellow work lights; hard coal 2.5 GW appears as a smaller coal-fired station in the far right background with a pair of cooling towers and a visible coal conveyor; hydro 1.6 GW is suggested by a dam structure in the deep background with water glistening under sparse lights. The sky is completely black with heavy overcast — no stars, no moon, no twilight glow — a deep oppressive ceiling of cloud pressing down, conveying the high electricity price. The season is late May so the foreground vegetation is lush and green but visible only where industrial light spills across it. The overall atmosphere is heavy, industrially charged, and nocturnal. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape art — rich impasto brushwork, dramatic chiaroscuro, deep atmospheric perspective — yet with meticulous engineering accuracy in every turbine nacelle, cooling tower profile, and exhaust stack. No text, no labels.